Naomi Tani is as good as ever but the other two protagonists are equally effective and for once the male lead is not some cringing bastard. Quite breathtaking sequences of consensual and non consensual sexual activity and most effective use of colour shape and form with flashbacks but always keeping the eventful tale moving forward.
|Takako Kitagawa||Takako Yoshino|
|Naomi Tani||Michiyo Yoshino|
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