Anchored by an outstanding turn by Asian Film Award-winner Donny Damara and bathed in an appropriately seedy neon wash, Indonesian indie writer-director Teddy Soeriaatmadjas Lovely Man is, in a word, lovely. Working with well-worn material about family relationships and father-daughter bonds that is never once in danger of falling into cliché this layered two-hander unfolds over the course of one enlightening and bittersweet night. Soeriaatmadjas astute script and Damaras sensitive, nuanced performance grab viewers from minute one and remain compelling throughout.