"a kinetic reflection on the ‘Apocalypse Trilogy’ of U.S. filmmaker Gregg Araki, using only short samples layered and treated within a digital editing program. It bypasses an excessive dependence on text-as-instruction in order to deliver its analysis through the careful arrangement, in multiple fragments and two major clusters, of the main strategies in Araki’s cinema as Lammer sees them: first, the often garishly-coloured environments in which his characters live; second, the types of fetish-objects that he presents in eye-popping, close-up inserts."