Moody realism conveys a stark poetry in this tale of a cab driver stuck with an abandoned baby in his back seat. Moral quandaries and social fears vie with eroticism when the driver and a lonely woman spend the night with the baby as the phantom facsimile of a family. The film’s finale, set in an orphanage, is a stunning, haunting piece of social realism that was to send ripples of influence through the next four decades of Iranian cinema.