Jim Broadbent

D.O.B: May 24, 1949 | Lincoln, Lincolnshire, England, UK

69Credit Score

One of Englands most versatile character actors, Jim Broadbent was born on May 24, 1949, in Lincolnshire, the youngest son of furniture maker Roy Broadbent and sculptress Dee Broadbent. Jim attended a Quaker boarding school in Reading before successfully applying for a place at an art school.

Biography

One of Englands most versatile character actors, Jim Broadbent was born on May 24, 1949, in Lincolnshire, the youngest son of furniture maker Roy Broadbent and sculptress Dee Broadbent. Jim attended a Quaker boarding school in Reading before successfully applying for a place at an art school. His heart was in acting, though, and he would later transfer to the London Academy of Music and Dramatic Art (LAMDA). Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe which he co-founded. In addition to his theatrical work, Broadbent did steady work on television, working for such directors as Mike Newell and Stephen Frears. Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowskis The Shout (1978). He went on to work with Frears again in The Hit (1984) and with Terry Gilliam in Time Bandits (1981) and Brazil (1985), but it was through his collaboration with Mike Leigh that Broadbent first became known to an international film audience. In 1990 he starred in Leighs Life Is Sweet (1990), a domestic comedy that cast him as a good-natured cook who dreams of running his own business. Broadbent gained further visibility the following year with substantial roles in Neil Jordans The Crying Game (1992) and Mike Newells Enchanted April (1992), and he could subsequently be seen in such diverse fare as Woody Allens Bullets Over Broadway (1994), Widows Peak (1994), Richard Loncraines highly acclaimed adaptation of Shakespeares Richard III (1995) and Little Voice (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leighs Topsy-Turvy (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy.